Making 'Fragile' (Triplekite Publishing; released July 2016. ISBN 978-0993258947)
I used to be a street photographer. It took me a while to discover that I don't really have the personality for it - the ethics of stealing images is troublesome and the idea of approaching a total stranger, asking them to give up five minutes of their time and suggest they try to arrange their features in an interesting manner whilst they're about it, doesn't much appeal either.
Little did I realise when I made the sideways move to abstract landscape photography (via an ill-advised foray into macro and long exposure work) that I would be sitting down with David fromTriplekite Publishing discussing a book proposal within a few short years.
Deciding to commit one's work to a book throws up no end of questions. First and foremost is Why? Why do it? I think it's fairly safe to assume that any profits generated are going to be modest at best (certainly when you factor in the number of hours spent on the project). So we have to consider that undignified little peculiarity, ego. It's all very well being carried away by a groundswell of support in the cosy shallows of one's Twitter feed. It's quite a different matter to try to connect with the rest of the world and still retain some fragments of credibility.
Charlie Waite has long been an advocate of the printed image. So much of what we do resides in bleak obscurity, buried forevermore in the deepest recesses of a seemingly bottomless hard drive. Like Charlie, I firmly believe that the importance of having a tangible object which doesn't rely on an elaborate sequence of ones and zeros cannot be overstated.
I was fortunate to receive an enormous amount of support on Twitter, so the question of where I might take my proposed offering didn't really surface. Triplekite had already indicated they would be happy to sit and talk with me, and although I have a fond notion that one day I might attempt a handmade book in a similar vein to Joe Wright's beautifully crafted work, I knew that such an idea was not really viable for this project. Triplekite were also able to offer global distribution together with the comforting - yet somewhat terrifying - reassurance that every professional book buyer on the planet would be presented with a copy and it will reside for posterity in five major UK libraries.
So. Call it reckless optimism, call it vanity - whatever it was that convinced me that a book of my work might be a viable option became a reality last summer in a Dim Sum bar in Soho.
Eating the noodles was the easy part. Choosing the images for inclusion considerably less so. One false start followed another until I finally settled upon a theme for the book. I have always been fascinated by contrasts and contradictions. Not only in nature, but in all areas of life and many of the images I make are an attempt to highlight these conflicts.
Several ideas were swiftly ejected when it became apparent that the title of the book had to be a single word. This was a great shame, as anyone who has spent time on The Abstract Art Title Generator website will surely know that most of us surely has at least one book inside us entitled 'Landscape with Paranoiac Critical Nothing', 'Articulated Fragment of False Reality' or something very similar.
Eventually I settled on a collection of images I have been slowly adding to for a year or more, entitled 'Fragile'. I thought the task of selecting a group of possible candidates was fiendishly difficult until the time came to choose the cover image. As the selection will also feature as the limited edition print, it was not a decision to be taken lightly.
In the end, David put the vote out to the Twitterati and the image above was duly elected a clear winner. Even now, that decision is fraught with doubt and apprehension. It is clearly a very pink and frothy offering. Much of the work in the book is much darker - does it adequately represent the contents and the theme of the book? Is it going to be perceived as too obvious a choice for the first female photographer to be published by Triplekite? Could the soft pastel wildflower meadow precipitate a charge of gender stereotyping? Is it strong enough to make the cover stand out? Are there too many dandelions?
The die is cast, the decision is made, the pre-orders have opened; it's a done deal. Now all that remains, is for me (and, it appears, half of my extended family) to put ourselves in the caring hands of Sir Stelios and fly out to Malta to sign off on the printing when it takes place at the beginning of May. I've never been to Malta; it seems as good as an excuse as any to visit. I've heard stories about the glorious spring flowers that are so abundant there. Perhaps pastel-coloured wildflower meadows beckon once more.
FRAGILE is now sold out.
LET US PLAY
play/pleɪ/ verb engage in activity for enjoyment and recreation rather than a serious or practical purpose. Every child is an artist. The problem is how to remain an artist once…
BAUHAUS AND BEYOND
The Bauhaus movement celebrated its centenary in 2019 and more than a century after its inception the influence lives on and continues to shape our concept of good, intuitive design. Founded in…
LOCATION, LOCATION, LOCATION
I caught the tail end of a brief discussion on social media a couple of days ago and it set my meandering thoughts along an investigative trajectory.Being called into question was the issue of a…
I have chosen to present my contribution to the upcoming joint exhibition at the Oxo Gallery in London in a slightly unconventional way. The images themselves represent a continuing fascination…
RETURNING TO ⌘P
Charlie Waite is one of many photographers to champion the importance and satisfaction to be gained from turning a digital file into a physical print. Such advocates are possibly less forthright about…
For some time now I have been thinking about ways to take the physical reproduction of my images in a slightly different direction.Perhaps as a consequence of the unpredictability of my image making,…